WRITTEN ARTICLES AND INTERVIEWS ON JEAN-PAUL SARTRE: “Sartre’s dizzying laughter”, in Rire, Ornicar, Revue du Champ freudien , 2024 “Sartre and Derrida between dog and cat. Thoughts of the animal.” (in Japanese), in Derrida/Heidegger/Sartre/Levinas, Hosei University Press, 2020 “Existentialism’s Avatars” in Yale French Studies, “Existentialism, 70 Years Later”, 2020 “Sartre and Poetry: I love you, me neither”, in Philosophy and Poetry, Columbia University Press, 2019 “Sartre and the New Conceptualization of Imagination after 1945” in The Concept of Imagination after 1945, Classiques Garnier, 2019 “Sartre/Camus, upside down and right side up”, in Will and Power: from committed writing to embedded writing, Presses de la Sorbonne Nouvelle, 2015 “Sartre’s Pollens” (in Japanese), in Sartre philosopher, Hosei University Press, 2015 “Sartre’s Timetable”, in Jean-Paul Sartre: Mind and Body, Word and Deed, Cambridge Scholars Publishing, 2011 “Sartre and the Bovary temptation”, in Madame Bovary, Novel as a Modern Art, MLN vol.122 n.4, Johns Hopkins University Press, 2008 “Lives, Deaths and Rebirths of Sartre” in Situating Sartre 2005, The Florence Gould Lectures at New York University, 2007 “The die is never cast”, in What do Sartre and Beauvoir tell us today?, Diogène , PUF, 2006 – English translation, Diogenes , Vol 54, Number 216, Sage publications 2007 “Sartre’s centenary, the impossible celebration”, in Encyclopædia Universalis, 2006 “Is Sartre the author of his time?” – in Spanish, in Sartre y nosotros, Editorial El Conejo, Universida andina Simon Bolivar, 2008 – in French and Greek, in Jean-Paul Sartre, an emblematic figure of the 20th century, ed. National University of Athens, 2007 – in Japanese in Sartre, the other, language and totality, Kan n°11 ed. Fujiwara-Shoten, Tokyo 2006 – in Russian in Novoe literaturnoe obozrenie n° 76, Moscow 2005, reprinted in Jean-Paul Sartre au présent (in Russian), ed. of the University of Saint-Petersburg 2006 “An iconoclastic imagination”, in Sartre, ed. Bibliothèque Nationale de France, Gallimard, 2005 – Chinese translation, Tongji University, 2005 “Sartre out of step”, in Why Sartre?, ed. Au bord de l’eau, 2005 – German translation, in Lebendiger Sartre, BasisDruckVerlag Berlin, 2009 “Underground Sartre”, in La Règle du jeu, Grasset, 2005 “Sartre or phenomenology on blotting paper” in French Phenomenologies, PUF, 2002 “Sartre and the Inhuman”, in Les Temps Modernes n°565-566, ed. Gallimard, 1993 “Between Flesh and Leather, the Body According to Sartre”, in Le Corps à Découvert, ed. STH, 1992 “Sartre and Camus: the body and the law”, in Camus and philosophy, ed. PUF, 1997 “Nature and Ethics: Heidegger, Sartre, Levinas”, in Nature, from Identity to Freedom, ed. STH, 1991 “Figures of Political Action”, in Witnesses of Sartre , Les Temps Modernes, ed. Gallimard, 1990 “History and Ideology in The Paths of Freedom ”, in Cahiers de sémiotique textuelle n° 2 (Nanterre ed.), 1984 ON ÉDOUARD GLISSANT: “Édouard Glissant and the writer’s models”, (in Japanese) in Creole Imagination, ed. de la Rose des Vents, 2020 “The life of Édouard Glissant, truths and frictions”, in Archipels Glissant, PUV, 2020 “The Creolized Paris of Édouard Glissant”, in Creole Paris, La Geste editions, 2020 “Poetry and Philosophy: Glissant’s Trace,” in Poetry at Work: Poetry, Philosophy, Politics . L’Esprit Créateur Review , Johns Hopkins University Press, 2015 “The slave trade, the Shoah. On the uses of a comparison”, in Glissant and the thought of the detour; Literature , Colin/Dunod 2014 “Édouard Glissant and Archipelago Europe”, Goethe Institut, Dakar/Lisbon “Édouard Glissant’s Legacy: Transmitting without Universals” in Édouard Glissant, Callaloo vol.36 number 4, Johns Hopkins University Press, 2013 “Memoirs of Édouard Glissant”, Revista Francofonia , Università di Bologna, 2012 “Glissant’s Globality” in Glissant-Monde , Africultures, n°87, 2012 “Sliding the decipherer”, in Passages. Francophone writings, postcolonial theories, Literature n°154, Larousse 2011 “The plot and the whirlwind”, in Around Édouard Glissant. Readings, proofs, extensions of a poetics of the Relationship, Presses universitaires de Bordeaux, 2008 “For an Archipelago-wide Thought. Édouard Glissant.”, in Politics and Filiation, ed. Kimé, 2004 LITERATURE: “The Ears of Literature”, Nouvelle Revue Française, No. 644, Gallimard, 2020 “Barthes and insignificant music”, in Interdisciplinary Barthes, British Academy, Oxford University Press, 2020 “Shh! Listen to the music of Samuel Beckett” in Samuel Beckett and French culture, Garnier, 2019 “Literature: The Archipelago Perspective,” Interdisciplinary Literary Studies, Penn State University Press, vol. 20, n°2, 2018 “Roland Barthes’ Fingering,” in Barthes and Music, ed. University of Rennes, 2018 “The Affinity of Masks”, in Du Japon, NRF n°599-600, 2012 “Japanese Sonata”, in Critique, ed. Minuit, 2010 “How to complete the 20th century with Beckett” in A vueltas con Beckett, Ediciones de la Discreta, 2009 “Beckett’s Nod to Cinema,” in Beckett, The Florence Gould Lectures at New York University, 2007 “Three Barbarians in Asia: Brecht, Artaud, Barthes” in Mélanges pour Madeleine Valette, UMLV Review, 2003, reprinted in The Renewal of Total Art , L’Harmattan 2005 “The ignorance of sexual difference”, in Marguerite Duras, Cahiers de l’Herne, 2005 “Roland Barthes: with the left hand” in Roland Barthes after Roland Barthes, PUF, 2002 “Abhistoricism in The Patients” in Centenaire Audiberti, ed. H. Champion, 2002 “Beckett or the eclipse scene” in Scene and image, Licorne ed., 2000 “The Flesh of Soap” in Ponge: matter, material, materialism, ed. de La Licorne, 2000 “Speculative Novel and Specular Truth” in Narratives of Thought, ed. SEDES, 2000 “To End Nothing” in Beckett, PUL, 1998 “Ariane is her name, or the games of the letter in Belle du seigneur ” in Lectures de Belle du seigneur. Anniversary issue (1968-1998), Cahiers Albert Cohen, 1998 “Barthes and the Dead Image”, in Lisible/Visible, Pratiques , Cahiers Forell, University of Poitiers, 1998 “The Tragic Body, Reading Mishima”, in Césure (Revue de la Convention psychanalytique, Paris), 1996 “Against the Body, Seneca and Mishima”, in The Body Uncovered, ed. STH, 1992 PHILOSOPHY: “The Horizontal Voice”, in Figure, Thought, Voice (with Florence de Chalonge), Presses Universitaires du Septentrion, 2022 “Mediations of Universalism”, in Cahiers de République Universelle (Grand Orient de France), materialological editions, 2021 “Philosophical aurality”, in PMLA, vol. 35, no. 2, 2020 “What is a posthumous truth”, in Rethinking French culture, Liverpool University Press, 2019 “What is an acousmatic reading?” » in Soundings and Soundscapes, Revue Paragraph (Edinburgh University … ARTICLES AND INTERVIEWS

Books Chargement…

As Barthes rightly wrote, there is no biography except for the unproductive life. Presenting one’s professional journey, however, brings us back to production. Mine focuses on philosophical writing, sound practices, and cultural exchange. Writing The first book I wrote was about the relationship between concepts and metaphors in Sartre’s philosophical works. Since then, I have continued to read abstract texts by paying attention to their images, sounds, and affects. I have been interested in genealogical imaginaries in the field of knowledge (Pour en finir avec la généalogie, 2004), to which I have opposed alternative models (Les Airs de famille. Une philosophie des Affinités, 2012). A musical practice since childhood has oriented me towards the sound dimension of thought. I have investigated the fruitful relationship of certain thinkers to their instrument (The Philosopher’s Touch. Sartre, Nietzsche, and Barthes at the Piano, 2008). This led me to suggest more generally listening to the works of the mind differently (Thinking with Our Ears, 2019). This listening is connected to a psychoanalytic approach, which questions the link between emotional life and intellectual discourses. Intrigued by the gaps between philosophers’ theses, from Rousseau to Foucault, and how they led their lives, I wrote The Genius of Lies (2015), seeking to understand these discrepancies rather than denounce them. Observing today that the boundary between true and false has dramatically blurred in political discourse, I traced an archaeology of this erasure over the last fifty years in Can We Still Save the Truth? (2024). It goes without saying that these reflections come from my acquaintance with authors such as Sartre, Beckett, Glissant, or Mishima, to whom I have devoted studies, sometimes structural, sometimes intimate. Experience has taught me that the more one hides behind authors and theses, the more one runs away from oneself. Therefore, I have tried to write about my own heritage, insofar as it also involves History, that of emigrants and madmen (Hors de moi, 2006; Les Enfants de Cadillac, 2021). Listening From 2002 to 2013, I was a producer of philosophical programs on France-Culture radio for around 650 episodes: Philosophie en situations (part of Les Vendredis de la philosophie program) consisted of debates on philosophical questions, accompanied by speeches from philosophers. Macadam Philo invited a philosopher to comment on the week’s news. Je l’entends comme je l’aime invited a thinker, artist, or writer to engage in dialogue and creativity with a composer. The show’s ambition was to highlight the importance of music in the guest’s work and to connect it to a musical practice. Le Journal de la philosophie aimed to present a daily philosophical publication by inviting its authors. Transmitting A dual training in literature (Master and agrégation de Lettres Modernes) and philosophy (Master and Ph.D. Sorbonne University) led me to teach, first in high schools (tenured at La Châtre, Orléans, and Paris) and then in universities (tenured at Poitiers, Paris-Est, Paris 8, then New York University since 2019, and as a visiting professor in several American, Swiss, and Japanese universities). I chaired the Collège international de philosophie, an institution of fifty international researchers, from 2001 to 2004. At NYU now, I teach European philosophy courses and run La Maison Française, where I program conferences, exhibitions, and concerts.